{"_index":"bib","_type":"_doc","_id":"5615","_score":null,"_source":{"id":5615,"authors_free":[{"id":6518,"entry_id":5615,"agent_type":"person","is_normalised":null,"person_id":903,"institution_id":null,"role":{"id":1,"role_name":"author"},"free_name":"Peter Makhlouf","free_first_name":"Peter ","free_last_name":"Makhlouf","norm_person":{"id":903,"first_name":"","last_name":"","full_name":"","short_ident":"","is_classical_name":0,"dnb_url":"","viaf_url":"","db_url":"","from_claudius":1,"link":"bib?authors[]="}}],"entry_title":"Prophecy Between Poetics and Politics from Al-Farabi to Leo Strauss","title_transcript":"","title_translation":"","main_title":{"title":"Prophecy Between Poetics and Politics from Al-Farabi to Leo Strauss"},"abstract":"Judaeo-Arabic prophetology, as developed in the wake of Platonic and Aristotelian philosophy, was highly attentive to the kind of representational modes produced by divine revelation and their political use\u2014but also their political precarity. By drawing on another corpus, less often discussed in this context, the Arabic commentaries on Aristotle's Poetics and Rhetoric, this study proposes to undertake a close analysis of how the medieval thinkers in question (Al-Farabi, Avicenna, Averroes, and Maimonides) understood the poetics of prophecy to function. What emerges is an account of how the political theo-logic of poetics and rhetoric\u2014as developed with respect to terms such as imitation, imagination and visualization\u2014came to play a central role in the theory of prophecy, and how that theory of prophecy in turn gave rise to an understanding of what Leo Strauss once termed the \u2018literary character\u2019 of these philosophers' \u2018art of writing\u2019.","btype":3,"date":"","language":"English","online_url":"","doi_url":"https:\/\/doi.org\/10.1007\/s12138-022-00632-8","ti_url":"","categories":[{"id":28,"category_name":"al-F\u0101r\u0101b\u012b","link":"bib?categories[]=al-F\u0101r\u0101b\u012b"},{"id":10,"category_name":"Avicenna","link":"bib?categories[]=Avicenna"},{"id":9,"category_name":"Maimonides","link":"bib?categories[]=Maimonides"},{"id":21,"category_name":"Aristotle","link":"bib?categories[]=Aristotle"},{"id":44,"category_name":"Poetics","link":"bib?categories[]=Poetics"},{"id":48,"category_name":"Rhetoric","link":"bib?categories[]=Rhetoric"},{"id":4,"category_name":"Politics","link":"bib?categories[]=Politics"},{"id":43,"category_name":"Tradition and Reception","link":"bib?categories[]=Tradition and Reception"}],"authors":[{"id":903,"full_name":"","role":1}],"works":[],"republication_of":null,"translation_of":null,"new_edition_of":null,"book":null,"booksection":null,"article":{"id":5615,"journal_id":null,"journal_name":"International Journal of the Classical Tradition","volume":"","issue":"","pages":"1-29"}},"sort":["Prophecy Between Poetics and Politics from Al-Farabi to Leo Strauss"]}

{"_index":"bib","_type":"_doc","_id":"5364","_score":null,"_ignored":["booksection.book.abstract.keyword"],"_source":{"id":5364,"authors_free":[{"id":6215,"entry_id":5364,"agent_type":"person","is_normalised":1,"person_id":1796,"institution_id":null,"role":{"id":1,"role_name":"author"},"free_name":"Lara Harb","free_first_name":"Lara","free_last_name":"Harb","norm_person":{"id":1796,"first_name":"Lara","last_name":"Harb","full_name":"Lara Harb","short_ident":"","is_classical_name":null,"dnb_url":"https:\/\/d-nb.info\/gnd\/1210514850","viaf_url":"","db_url":"","from_claudius":null,"link":"bib?authors[]=Lara Harb"}}],"entry_title":"Wonder in Aristotelian Arabic Poetics","title_transcript":"","title_translation":"","main_title":{"title":"Wonder in Aristotelian Arabic Poetics"},"abstract":"Chapter 2 demonstrates that a similar shift took place in the reception of Aristotle\u2019s Poetics in Arabic. Arabic philosophy was faced with the problem of making sense of the poetic as a type of syllogism, since it inherited a classification of Aristotle\u2019s treatise as part of his books on logic (the Organon). While initial attempts in late antiquity distinguished the poetic from other types of syllogism based on its falsehood, Arabic philosophy, especially with Avicenna (d. 1037), decoupled the poetic from truth and falsehood and distinguished the kind of conclusion that one attains through the poetic syllogism as \u201cmake-believe\u201d (takhy\u012bl). This new solution shifted the assessment of the poetic from a statement\u2019s truth and falsehood to its ability to conjure a make-believe image. This process was also expected to allow for an experience of discovery and wonder in the listener according to the philosophers. While Aristotle discussed wonder as resulting from manipulations of a tragic plot, Arabic philosophy developed a theory of wonder resulting from the verbal arts, especially simile and metaphor. The chapter follows the development of these ideas in the works of Averroes (d. 1198), al-Qar\u1e6d\u0101jann\u012b (d. 1285), and al-Sijilm\u0101si (d. c. 1330).","btype":2,"date":"2020","language":"English","online_url":"","doi_url":"https:\/\/doi.org\/10.1017\/9781108780483.004","ti_url":"","categories":[{"id":28,"category_name":"al-F\u0101r\u0101b\u012b","link":"bib?categories[]=al-F\u0101r\u0101b\u012b"},{"id":10,"category_name":"Avicenna","link":"bib?categories[]=Avicenna"},{"id":44,"category_name":"Poetics","link":"bib?categories[]=Poetics"}],"authors":[{"id":1796,"full_name":"Lara Harb","role":1}],"works":[],"republication_of":null,"translation_of":null,"new_edition_of":null,"book":null,"booksection":{"id":5364,"section_of":5363,"pages":"75\u2013134","is_catalog":null,"book":{"id":5363,"bilderberg_idno":null,"dare_idno":null,"catalog_idno":null,"entry_type":"bibliography","type":1,"language":"en","title":"Arabic Poetics: Aesthetic Experience in Classical Arabic Literature","title_transcript":"","title_translation":"","short_title":"","has_no_author":null,"volume":null,"date":"2020","edition_no":null,"free_date":null,"abstract":"What makes language beautiful? Arabic Poetics offers an answer to what this pertinent question looked like at the height of the Islamic civilization. In this novel argument, Lara Harb suggests that literary quality depended on the ability of linguistic expression to produce an experience of discovery and wonder in the listener. Analyzing theories of how rhetorical figures, simile, metaphor, and sentence construction are able to achieve this effect of wonder, Harb shows how this aesthetic theory, first articulated at the turn of the eleventh century CE, represented a major paradigm shift from earlier Arabic criticism which based its judgement on criteria of truthfulness and naturalness. In doing so, this study poses a major challenge to the misconception in modern scholarship that Arabic criticism was 'traditionalist' or 'static', exposing an elegant widespread conceptual framework of literary beauty in the post-eleventh-century Islamicate world which is central to poetic criticism, the interpretation of Aristotle's Poetics in Arabic philosophy and the rationale underlying discussions about the inimitability of the Quran.","republication_of":0,"online_url":"","online_resources":null,"translation_of":"0","new_edition_of":"0","is_catalog":0,"in_bibliography":0,"is_inactive":0,"notes":null,"ti_url":"","doi_url":" https:\/\/doi.org\/10.1017\/9781108780483","book":{"id":5363,"pubplace":"Cambridge","publisher":"Cambridge University Press","series":"Cambridge Studies in Islamic Civilization","volume":"","edition_no":"","valid_from":null,"valid_until":null},"persons":[{"id":6214,"entry_id":5363,"agent_type":"person","is_normalised":null,"person_id":null,"institution_id":null,"role":{"id":1,"role_name":"author"},"free_name":"Lara Harb","free_first_name":"Lara","free_last_name":"Harb","norm_person":null}]}},"article":null},"sort":["Wonder in Aristotelian Arabic Poetics"]}