Title | The Poetics from Athens to al-Andalus: Ibn Rushd’s Grounds for Comparison |
Type | Article |
Language | English |
Date | 2014 |
Journal | Modern Philology |
Volume | 112 |
Issue | 1 |
Pages | 1-24 |
Categories | Aristotle, Commentary, Poetics, Transmission |
Author(s) | Rebecca Gould |
Publisher(s) | |
Translator(s) |
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Title | Translating Catharsis: Aristotle and Averroës, the Scholastics and the Basochiens |
Type | Book Section |
Language | English |
Date | 2012 |
Published in | Rethinking Medieval Translation: Ethics, Politics, Theory |
Pages | 84–106 |
Categories | Aristotle, Commentary, Transmission, Poetics |
Author(s) | Noah D. Guynn |
Publisher(s) | |
Translator(s) |
This essay investigates translation, aesthetics and performance in the long Middle Ages, with particular emphasis on the transmission of Aristotle and the politics of festive drama: plays staged in public spaces for heterogeneous audiences during religious holidays. My main interest is κάθαρσις (katharsis), an abstruse term from the Poetics and Politics that gets translated and deployed in diverse, often incompatible ways by premodern and modern scholars and that has been used, both implicitly and explicitly, to account for the dynamics of performance and ritual in medieval festive settings. Though the Politics was widely available in Latin translation from 1260 on, its references to catharsis pertain mostly to musical aesthetics, and medieval intellectuals do not seem to have drawn from it a theory of theatrical reception. As for the Poetics, it was known almost exclusively through Averroës's Middle Commentary (1175), which Hermannus Alemannus translated into Latin in 1256. Having no understanding of Greek tragedy as theatre, Averroës, in keeping with previous Arabic readings of Aristotle, reorients the Poetics away from aesthetics towards logic. That tradition renders mimesis as the use of imaginative representations to move audiences unable to grasp more conclusive forms of reasoning to embrace the good. |
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Title | Translation and Philosophy. The Case of Averroes' Commentaries |
Type | Article |
Language | English |
Date | 1994 |
Journal | International Journal of Middle East Studies |
Volume | 26 |
Issue | 1 |
Pages | 19–35 |
Categories | Influence, Commentary, Transmission, Poetics |
Author(s) | Charles E. Butterworth |
Publisher(s) | |
Translator(s) |
With particular reference to Averroes' "Commentary on Aristotle's Poetics," it is argued that Averroes could not possibly have understood Aristotle's "Poetics" as it is understood in the modern world. Averroes' "Middle Commentary on Aristotle's Poetics" is also critiqued. |
Online Access | https://www.jstor.org/stable/164050 |
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Title | The Poetics from Athens to al-Andalus: Ibn Rushd’s Grounds for Comparison |
Type | Article |
Language | English |
Date | 2014 |
Journal | Modern Philology |
Volume | 112 |
Issue | 1 |
Pages | 1-24 |
Categories | Aristotle, Commentary, Poetics, Transmission |
Author(s) | Rebecca Gould |
Publisher(s) | |
Translator(s) |
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Title | Translating Catharsis: Aristotle and Averroës, the Scholastics and the Basochiens |
Type | Book Section |
Language | English |
Date | 2012 |
Published in | Rethinking Medieval Translation: Ethics, Politics, Theory |
Pages | 84–106 |
Categories | Aristotle, Commentary, Transmission, Poetics |
Author(s) | Noah D. Guynn |
Publisher(s) | |
Translator(s) |
This essay investigates translation, aesthetics and performance in the long Middle Ages, with particular emphasis on the transmission of Aristotle and the politics of festive drama: plays staged in public spaces for heterogeneous audiences during religious holidays. My main interest is κάθαρσις (katharsis), an abstruse term from the Poetics and Politics that gets translated and deployed in diverse, often incompatible ways by premodern and modern scholars and that has been used, both implicitly and explicitly, to account for the dynamics of performance and ritual in medieval festive settings. Though the Politics was widely available in Latin translation from 1260 on, its references to catharsis pertain mostly to musical aesthetics, and medieval intellectuals do not seem to have drawn from it a theory of theatrical reception. As for the Poetics, it was known almost exclusively through Averroës's Middle Commentary (1175), which Hermannus Alemannus translated into Latin in 1256. Having no understanding of Greek tragedy as theatre, Averroës, in keeping with previous Arabic readings of Aristotle, reorients the Poetics away from aesthetics towards logic. That tradition renders mimesis as the use of imaginative representations to move audiences unable to grasp more conclusive forms of reasoning to embrace the good. |
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Title | Translation and Philosophy. The Case of Averroes' Commentaries |
Type | Article |
Language | English |
Date | 1994 |
Journal | International Journal of Middle East Studies |
Volume | 26 |
Issue | 1 |
Pages | 19–35 |
Categories | Influence, Commentary, Transmission, Poetics |
Author(s) | Charles E. Butterworth |
Publisher(s) | |
Translator(s) |
With particular reference to Averroes' "Commentary on Aristotle's Poetics," it is argued that Averroes could not possibly have understood Aristotle's "Poetics" as it is understood in the modern world. Averroes' "Middle Commentary on Aristotle's Poetics" is also critiqued. |
Online Access | https://www.jstor.org/stable/164050 |
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