{"_index":"bib","_type":"_doc","_id":"731","_score":null,"_source":{"id":731,"authors_free":[{"id":890,"entry_id":731,"agent_type":"person","is_normalised":1,"person_id":925,"institution_id":null,"role":{"id":1,"role_name":"author"},"free_name":"Paolo Cosenza","free_first_name":"Paolo","free_last_name":"Cosenza","norm_person":{"id":925,"first_name":"Paolo","last_name":"Cosenza","full_name":"Paolo Cosenza","short_ident":"","is_classical_name":0,"dnb_url":"http:\/\/d-nb.info\/gnd\/1041289626","viaf_url":"https:\/\/viaf.org\/viaf\/64029173","db_url":"","from_claudius":1,"link":"bib?authors[]=Paolo Cosenza"}}],"entry_title":"Il ridicolo nel Commento medio di Averro\u00e8 alla Poetica di Aristotele","title_transcript":null,"title_translation":null,"main_title":{"title":"Il ridicolo nel Commento medio di Averro\u00e8 alla Poetica di Aristotele"},"abstract":null,"btype":2,"date":"2004","language":"Italian","online_url":null,"doi_url":null,"ti_url":null,"categories":[{"id":44,"category_name":"Poetics","link":"bib?categories[]=Poetics"}],"authors":[{"id":925,"full_name":"Paolo Cosenza","role":1}],"works":[],"republication_of":null,"translation_of":null,"new_edition_of":null,"book":null,"booksection":{"id":731,"section_of":40,"pages":"149\u2013158","is_catalog":null,"book":{"id":40,"bilderberg_idno":null,"dare_idno":null,"catalog_idno":null,"entry_type":"reference","type":4,"language":null,"title":"Averroes and the Aristotelian Heritage","title_transcript":null,"title_translation":null,"short_title":null,"has_no_author":0,"volume":null,"date":"2004","edition_no":null,"free_date":"2004","abstract":null,"republication_of":null,"online_url":null,"online_resources":null,"translation_of":null,"new_edition_of":null,"is_catalog":0,"in_bibliography":0,"is_inactive":0,"notes":null,"ti_url":null,"doi_url":null,"book":{"id":40,"pubplace":"Naples","publisher":"Guida Editori","series":null,"volume":null,"edition_no":null,"valid_from":null,"valid_until":null}}},"article":null},"sort":["Il ridicolo nel Commento medio di Averro\u00e8 alla Poetica di Aristotele"]}

{"_index":"bib","_type":"_doc","_id":"5350","_score":null,"_source":{"id":5350,"authors_free":[{"id":6200,"entry_id":5350,"agent_type":"person","is_normalised":null,"person_id":null,"institution_id":null,"role":{"id":1,"role_name":"author"},"free_name":"Douglas Kries","free_first_name":"Douglas","free_last_name":"Kries","norm_person":null}],"entry_title":"Music, Poetry, and Politics in Averroes\u2019s Commentary on Plato\u2019s \u201cRepublic\u201d","title_transcript":"","title_translation":"","main_title":{"title":"Music, Poetry, and Politics in Averroes\u2019s Commentary on Plato\u2019s \u201cRepublic\u201d"},"abstract":"As our title announces, the current essay will explore three subjects that, in Averroes's Commentary on Plato's \u201cRepublic,\u201d lead from one into another, almost like a short series of stepping-stones. The first part of the essay will consider the treatment of music in the Commentary, arguing that Averroes effectively reduces music to poetry. The second of the stepping-stones will show that the Commentary credits poetry with educating the young especially and in that way transforms poetry into a political art for disciplining and educating citizens. The third will take up the question of the Andalusian's extended criticism of poetry's common practice of offering pleasurable prizes and rewards for virtue and show how the Commentator applies this criticism of poetry to the very author on whom he is commenting. In pursuing all three of these questions, we will focus squarely on Averroes's Commentary on Plato's \u201cRepublic,\u201d attempting to understand that text on its own terms but against its obvious background, the Republic of Plato. Nevertheless, in pursuing the teaching of The Commentary on Plato's \u201cRepublic,\u201d we cannot neglect the important research that has been done in recent decades on classical Islamic philosophy's understanding of Aristotle's Organon generally and of the Poetics in particular. We will therefore turn to the reports of other scholars on these aspects of Averroes, at least to the extent that such reports will be helpful in enabling us to understand better the Commentary on Plato's \u201cRepublic.\u201d\r\n\r\nIn the Republic, Plato initiates his analysis of the education of the guardians with a discussion of music in the latter portions of book 2; that discussion extends through much of book 3. Averroes's corresponding treatment of the education of the guardians through music is in the \u201cFirst Treatise\u201d of the Commentary, mostly in a relatively lengthy and isolable section that extends from 29.9 through 36.5. During his treatment of music, Plato divides his subject into three parts: \u201cmelody is composed of three things\u2014speech, harmonic mode, and rhythm.\u201d Averroes seems to accept this division, although he inverts the order of the three elements: \u201cA melody occurring in a narrative is composed of three things: rhythm, harmonic mode, and the speech to which the melody is set\u201d (34.30\u201331).","btype":2,"date":"2022","language":"English","online_url":"","doi_url":"https:\/\/doi.org\/10.1017\/9781800104983.005","ti_url":"","categories":[{"id":44,"category_name":"Poetics","link":"bib?categories[]=Poetics"},{"id":4,"category_name":"Politics","link":"bib?categories[]=Politics"},{"id":20,"category_name":"Plato","link":"bib?categories[]=Plato"}],"authors":[],"works":[],"republication_of":null,"translation_of":null,"new_edition_of":null,"book":null,"booksection":{"id":5350,"section_of":5346,"pages":"87\u2013110","is_catalog":null,"book":{"id":5346,"bilderberg_idno":null,"dare_idno":null,"catalog_idno":null,"entry_type":"bibliography","type":4,"language":"en","title":"Plato's Republic in the Islamic Context. New Perspectives on Averroes's Commentary","title_transcript":"","title_translation":"","short_title":"","has_no_author":null,"volume":null,"date":"2022","edition_no":null,"free_date":null,"abstract":"","republication_of":0,"online_url":"","online_resources":null,"translation_of":"0","new_edition_of":"0","is_catalog":0,"in_bibliography":0,"is_inactive":0,"notes":null,"ti_url":"","doi_url":"https:\/\/doi.org\/10.1017\/9781800104983","book":{"id":5346,"pubplace":"","publisher":" Boydell & Brewer","series":"","volume":"","edition_no":"","valid_from":null,"valid_until":null},"persons":[{"id":6196,"entry_id":5346,"agent_type":"person","is_normalised":null,"person_id":null,"institution_id":null,"role":{"id":2,"role_name":"editor"},"free_name":" Alexander Orwin","free_first_name":" Alexander","free_last_name":" Orwin","norm_person":null}]}},"article":null},"sort":["Music, Poetry, and Politics in Averroes\u2019s Commentary on Plato\u2019s \u201cRepublic\u201d"]}

{"_index":"bib","_type":"_doc","_id":"736","_score":null,"_source":{"id":736,"authors_free":[{"id":895,"entry_id":736,"agent_type":"person","is_normalised":1,"person_id":927,"institution_id":null,"role":{"id":1,"role_name":"author"},"free_name":"Salim Kemal","free_first_name":"Salim","free_last_name":"Kemal","norm_person":{"id":927,"first_name":"Salim","last_name":"Kemal","full_name":"Salim Kemal","short_ident":"","is_classical_name":0,"dnb_url":"http:\/\/d-nb.info\/gnd\/113359926","viaf_url":"https:\/\/viaf.org\/viaf\/71419307","db_url":"","from_claudius":1,"link":"bib?authors[]=Salim Kemal"}}],"entry_title":"The Philosophical Poetics of Alfarabi, Avicenna and Averro\u00ebs. The Aristotelian Reception","title_transcript":"","title_translation":"","main_title":{"title":"The Philosophical Poetics of Alfarabi, Avicenna and Averro\u00ebs. The Aristotelian Reception"},"abstract":"This book examines the studies of Aristotle's Poetics and its related texts in which three Medieval philosophers - Alfarabi, Avicenna and Averroes - proposed a conception of poetic validity [beauty], and a just relation between subjects in a community [goodness]. The work considers the relation of the Poetics to other Aristotelian texts, the transmission of these works to the commentators' context, and the motivations driving the commentators' reception of the texts. The book focuses on issues central to the classical relation of beauty to truth and goodness.","btype":1,"date":"2003","language":"English","online_url":"","doi_url":"","ti_url":"","categories":[{"id":44,"category_name":"Poetics","link":"bib?categories[]=Poetics"},{"id":10,"category_name":"Avicenna","link":"bib?categories[]=Avicenna"},{"id":28,"category_name":"al-F\u0101r\u0101b\u012b","link":"bib?categories[]=al-F\u0101r\u0101b\u012b"},{"id":21,"category_name":"Aristotle","link":"bib?categories[]=Aristotle"},{"id":43,"category_name":"Tradition and Reception","link":"bib?categories[]=Tradition and Reception"}],"authors":[{"id":927,"full_name":"Salim Kemal","role":1}],"works":[],"republication_of":null,"translation_of":null,"new_edition_of":null,"book":{"id":736,"pubplace":"London, New York","publisher":"RoutledgeCurzon","series":null,"volume":null,"edition_no":null,"valid_from":null,"valid_until":null},"booksection":null,"article":null},"sort":["The Philosophical Poetics of Alfarabi, Avicenna and Averro\u00ebs. The Aristotelian Reception"]}

{"_index":"bib","_type":"_doc","_id":"5369","_score":null,"_ignored":["booksection.book.abstract.keyword"],"_source":{"id":5369,"authors_free":[{"id":6221,"entry_id":5369,"agent_type":"person","is_normalised":null,"person_id":null,"institution_id":null,"role":{"id":1,"role_name":"author"},"free_name":"Noah D. Guynn","free_first_name":"Noah D.","free_last_name":"Guynn","norm_person":null}],"entry_title":"Translating Catharsis: Aristotle and Averro\u00ebs, the Scholastics and the Basochiens","title_transcript":"","title_translation":"","main_title":{"title":"Translating Catharsis: Aristotle and Averro\u00ebs, the Scholastics and the Basochiens"},"abstract":"This essay investigates translation, aesthetics and performance in the long Middle Ages, with particular emphasis on the transmission of Aristotle and the politics of festive drama: plays staged in public spaces for heterogeneous audiences during religious holidays. My main interest is \u03ba\u03ac\u03b8\u03b1\u03c1\u03c3\u03b9\u03c2 (katharsis), an abstruse term from the Poetics and Politics that gets translated and deployed in diverse, often incompatible ways by premodern and modern scholars and that has been used, both implicitly and explicitly, to account for the dynamics of performance and ritual in medieval festive settings. Though the Politics was widely available in Latin translation from 1260 on, its references to catharsis pertain mostly to musical aesthetics, and medieval intellectuals do not seem to have drawn from it a theory of theatrical reception. As for the Poetics, it was known almost exclusively through Averro\u00ebs's Middle Commentary (1175), which Hermannus Alemannus translated into Latin in 1256. Having no understanding of Greek tragedy as theatre, Averro\u00ebs, in keeping with previous Arabic readings of Aristotle, reorients the Poetics away from aesthetics towards logic. That tradition renders mimesis as the use of imaginative representations to move audiences unable to grasp more conclusive forms of reasoning to embrace the good.","btype":2,"date":"2012","language":"English","online_url":"","doi_url":"","ti_url":"","categories":[{"id":21,"category_name":"Aristotle","link":"bib?categories[]=Aristotle"},{"id":23,"category_name":"Commentary","link":"bib?categories[]=Commentary"},{"id":40,"category_name":"Transmission","link":"bib?categories[]=Transmission"},{"id":44,"category_name":"Poetics","link":"bib?categories[]=Poetics"}],"authors":[],"works":[],"republication_of":null,"translation_of":null,"new_edition_of":null,"book":null,"booksection":{"id":5369,"section_of":5368,"pages":"84\u2013106","is_catalog":null,"book":{"id":5368,"bilderberg_idno":null,"dare_idno":null,"catalog_idno":null,"entry_type":"bibliography","type":4,"language":"en","title":"Rethinking Medieval Translation: Ethics, Politics, Theory","title_transcript":"","title_translation":"","short_title":"","has_no_author":null,"volume":null,"date":"2012","edition_no":null,"free_date":null,"abstract":"\u2018Engaging and informative to read, challenging in its assertions, and provocative in the best way, inviting the reader to sift, correlate and reflect on the broader applicability of points made in reference to a specific text or exchange.\u2019 Professor Carolyne P. Collette, Mount Holyoke College. Medieval notions of \u2018translatio\u2019 raise issues that have since been debated in contemporary translation studies concerning the translator's role as interpreter or author; the ability of translation to reinforce or unsettle linguistic or political dominance; and translation's capacity for establishing cultural contact, or participating in cultural appropriation or effacement. This collection puts these ethical and political issues centre stage, asking whether questions currently being posed by theorists of translation need rethinking or revising when brought into dialogue with medieval examples. Contributors explore translation - as a practice, a necessity, an impossibility and a multi-media form - through multiple perspectives on language, theory, dissemination and cultural transmission. Exploring texts, authors, languages and genres not often brought together in a single volume, individual essays focus on topics such as the politics of multilingualism, the role of translation in conflict situations, the translator's invisibility, hospitality, untranslatability and the limits of translation as a category. Emma Campbell is Associate Professor in French at the University of Warwick; Robert Mills is Lecturer in History of Art at University College London. Contributors: William Burgwinkle, Ardis Butterfield, Emma Campbell, Marilynn Desmond, Simon Gaunt, Jane Gilbert, Miranda Griffin, Noah D. Guynn, Catherine L\u00e9glu, Robert Mills, Zrinka Stahuljak, Luke Sunderland","republication_of":0,"online_url":"","online_resources":null,"translation_of":"0","new_edition_of":"0","is_catalog":0,"in_bibliography":0,"is_inactive":0,"notes":null,"ti_url":"","doi_url":"","book":{"id":5368,"pubplace":"","publisher":"Boydell & Brewer","series":"","volume":"","edition_no":"","valid_from":null,"valid_until":null},"persons":[{"id":6219,"entry_id":5368,"agent_type":"person","is_normalised":null,"person_id":null,"institution_id":null,"role":{"id":2,"role_name":"editor"},"free_name":"Emma Campbell","free_first_name":"Emma","free_last_name":"Campbell","norm_person":null},{"id":6220,"entry_id":5368,"agent_type":"person","is_normalised":null,"person_id":null,"institution_id":null,"role":{"id":2,"role_name":"editor"},"free_name":"Robert Mills","free_first_name":"Robert","free_last_name":"Mills","norm_person":null}]}},"article":null},"sort":["Translating Catharsis: Aristotle and Averro\u00ebs, the Scholastics and the Basochiens"]}

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